Love lost and won (Harano Sur)

Would I be lying to myself if I said that Harano Sur is one of the best 'memory-loss' films to be ever made? I

don't think so. At least, it is definitely my one of my favourite films of that genre. Not because a delicate love story is woven around the incident of memory loss, but the manner in which the happenings following the retrieval of memory bring together the man and his wife is immensely commendable. There are heartbreaks, anticipations, misunderstandings and tension galore, but what triumphs in the end is true love. And that's what really makes the journey of the separated lovers so special.

Read more »

Judgement day (Bicharak)

When a director is successful in cooking up a compelling drama out of a small but important event from one's past, he has surely passed the litmus test. More significantly, the screenplay of Bicharak continuously flits in and out of flashbacks constantly whetting our appetite to learn of Gyanendra's secret past. What did he do that makes him continuously weigh his actions? Why is there such an eerie discomfiture between the exchanges a man has with his wife? Why does his mind travel back so much to his past? And most importantly, why is the question incessantly raised as to whether Gyanendra is right enough to decide a man's fate?

Read more »

Back to nature (Aranyer Din Ratri)

Can city souls really be at peace in the vicinity of raw nature? I suppose, even though we are tired of the hum drum of chaotic city life, we somehow have grown so accustomed to the din that too many hours spent in the quietude could tire us out totally. A few weeks back, when my husband and I were spending time in the backwaters of Kumarakom, accompanied only by the lush surroundings and the buzz of insects, there slowly came a moment when both of us wanted to get back to civilisation. The restlessness ultimately forced us to truncate our backwater leisure and rush to the posh surroundings of Taj Kovalam where luxuries abound and most importantly, I got to watch television!!
Yes, we city-breds can be strange. Full of paradoxes and such great subjects of study in behavioural complexities. So tired of the city, yet so very fond of it altogether.

Read more »

When ego tampers with love (Indrani)

I would say that Indrani is a good romance that is seriously ahead of its times. It shows a young girl fighting for her love against her conservative parents, her staunch and mean in-laws and against some inane taboos that rid society those times. She is also the one who voices her feelings first, leading her lover to recognise the feelings deep down in his heart. She is the one who proposes marriage first, a thought that was considered outrageous for women earlier. And yes, she is the breadwinner of the family for a good period of time. At least till the man of the house pulls up his socks and has resolve enough to do something worthwhile in life. In that, Indrani is a total departure from the films that projected the obvious.

Read more »

Rollicking romance (Deya Neya)

 I've had a very juvenile belief since I was really small. I believe that if you do something on the first day of the year, you'll keep doing that for the entire year. So, ever since we were children, I made sure that my parents took me out for goodies at a pastry shop on January 1 every year. I made sure that I wore great clothes on this day when I was an adolescent. I made sure to be happy no matter what on this day, with the hope that happiness will reside in my abode the rest of the year. I made sure not to touch books to the utter displeasure of my parents. I made sure not to sulk over anything. And I made sure of many other things!! Children and their wishful thinking, you see...

Read more »

It happened one night (Jagte Raho)

It takes guts to invest your bucks in a film like Jagte Raho. But then, Raj Kapoor was no ordinary artiste. He always tread a unique path, with a vision that stood out from the hoi polloi. I'm sure when he decided to produce this Shambhu Mitra and Amit Mitra directorial venture, he knew he was hitting the right cinematic button. A film that has no lead pair, no romantic angle, no formulaic story, can only be successful if executed with utmost aplomb. And in that, Jagte Raho is a top draw. A stunning social commentary on the venality and dishonesty of most city dwellers, this story tells one sole incident in such a unique fashion that it is difficult not to sit up and take absolute notice...

Read more »

Two tales of love (Aradhana)

The question is, which of the two love stories do I like most in Aradhana? Is it Vandana and Arun's beautiful tale truncated by a cruel stroke of fate? Or, is it Suraj and Renu's cute saga that effects only smiles?
After an umpteenth watch of this wonderful Shakti Samanta romantic drama, I have an answer ready. I love both. While Vandana and Arun's tale scores because of the very tragic yet memorable angle to it, Suraj and Renu's pairing succeeds because it is surprisingly spontaneous.

I'm not getting into the emotional and teary aspect of this famous 1969 film. For, what is to be said about Vandana's sacrifice that has not been mentioned before.

Read more »

The hills are alive (Kanchanjangha)

What a brilliantly multi-layered film Kanchanjangha is. Every frame is steeped in imagery, every dialogue resonating with the inner doubts clouding the characters' minds. Just like the mist that is blocking out the sparkling view of the majestic Himalayan range. But, by the time the movie ends, every doubt is put to rest, every question answered, every nagging dillemma is solved. And with that the mist clears out of Darjeeling to gift us with the breathtaking view of the Kanchanjangha. Albeit through Satyajit Ray's eyes.

Read more »

Learning the ways of the house (The Householder)

The Householder, in my eye, is a coming-of-age tale. A delicate love story that highlights the trials and tribulations of a newly-married couple, the various hiccups that lead to their understanding of each other, the small misunderstandings, the sweet patch-ups, everything about Prem Sagar and Indu's relationship is reflective of how a couple, unaware of each other's feelings, likes and dislikes, gradually iron out their creases and grow to love each other. I'm not getting into the spiritual aspect of Prem's evolution as a thorough house-runner and the process of Indu's becoming houseproud. It is but obvious that there will be some channel all the time whereby the concerned parties would become enlightened.

Read more »

Wish granted (Nayika Sangbad)

Before going to Mumbai, I prayed to God that I see at least one cinema star getting out of her swanky car, or walking into a posh mall, or maybe, if the sun shone really bright (with Mumbai's monsoons, that's close to impossible), Shahid Kapur taking a stroll on Bandstand (though he lives in Andheri)!! And, if Lord Almighty was indeed happy he would grant me a glimpse of Shammi Kapoor!!

News is, nothing of that sort happened. I saw no Shammi Kapoor, no SRK (though I saw his and Salman's bungalow) and no Shahid (I quite like him, you see). But, yes I witnessed Salman's guards taking his two oversized dogs for their daily walk on Bandstand! Lucky me!! If not the star himself, I was quite excited to see his canine family extensions!!

That's how I am. Imagining crazy things related to cinema. What if some day I get to meet Shammi Kapoor, or say Asha Parekh?

Read more »