Behind the scenes (Guddi)

There are several scenes in Guddi that I love. For, there are several scenes in this 1971 film that you aught to love. Deftly balancing a sweet romance with a poignant take on the true life in the inner precincts of film studios in Bombay (yes, I prefer calling the place so), Hrishikesh Mukherjee spins a tale that is so didactic. Interesting anecdotes populate every moment and lovely performances make this film a roller-coaster ride. At one point you feel that it is after all a coming-of-age sage of a young girl heavily infatuated with her matinee idol, at another point it is the stark depiction of the strange world of films.

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Diary of an actor (Nayak)

In a tantalising move, Satyajit Ray keeps the visage of his protagonist undisclosed till the time his friend questions whether a successful actor is enough to pull off a bad film. The moment Jyoti remarks, "What else does the film have except you?", the camera quickly focuses on Arindam Mukherji's face and with a confident expression, he says, "What else does it need?"

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Rollicking romance (Deya Neya)

 I've had a very juvenile belief since I was really small. I believe that if you do something on the first day of the year, you'll keep doing that for the entire year. So, ever since we were children, I made sure that my parents took me out for goodies at a pastry shop on January 1 every year. I made sure that I wore great clothes on this day when I was an adolescent. I made sure to be happy no matter what on this day, with the hope that happiness will reside in my abode the rest of the year. I made sure not to touch books to the utter displeasure of my parents. I made sure not to sulk over anything. And I made sure of many other things!! Children and their wishful thinking, you see...

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