Marrying a widow (Prem Rog)

There is something that makes Raj Kapoor films immensely enjoyable. Even if you do not like some aspects of the films--say the melodrama, the OTT quotient or the excessive stretching of the plot, his films do rev up my interest in the happening. What mostly attracts me is the believable social thread that he ties his characters with. His characters are part of a community that suffers from some social malady or the other and through his story-telling method, he strives to drive home a point about this evil custom and how the protagonist struggles and succeeds to overthrow this societal sickness. This process is presented by Raj Kapoor extremely well through his films. They start off as family dramas, but in the folds of the plot, he sheds light on some social custom that needs to be demolished. His films become social commentaries without resorting to pontification. And that is the best part about the RK films. Look at Shree 420, Awara, Jagte Raho, Ram Teri Ganga Maili and the like. If you watch them carefully, you'll know what I'm hinting at.

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It happened one night (Jagte Raho)

It takes guts to invest your bucks in a film like Jagte Raho. But then, Raj Kapoor was no ordinary artiste. He always tread a unique path, with a vision that stood out from the hoi polloi. I'm sure when he decided to produce this Shambhu Mitra and Amit Mitra directorial venture, he knew he was hitting the right cinematic button. A film that has no lead pair, no romantic angle, no formulaic story, can only be successful if executed with utmost aplomb. And in that, Jagte Raho is a top draw. A stunning social commentary on the venality and dishonesty of most city dwellers, this story tells one sole incident in such a unique fashion that it is difficult not to sit up and take absolute notice...

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