Brides for sale (Bazaar)

Bazaar is a much celebrated film, they say. And why not? It's got a stellar cast, a fabulously hard-hitting script, a setting that reminds one of the Hyderabad that is on the cusp of old times and modernity and seven hauntingly beautiful songs. Sagar Sarhadi's social commentary on the sad plight of girls from poor families in Hyderabad who get entwined in the commercial storm of lust and circumstances truly is the making of a brilliant film. But then, Sarhadi I believe is no Shyam Benegal. What is so marvellous about Mandi is its sharp tongue-lashing treatment of the sordid subject. 1982's Bazaar is honest, but in its many labyrinths there is a slight maze that is difficult to gauge. The film starts of with several questions. Though gradually the knots are loosened, it is too late to hold on to the interest. Perhaps, I'm the only one not absolutely impressed with the film. But then, I have reasons galore.

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Marketing a movie (Mandi)

There will never be such a brilliant set of actors. The moment they land up together on the screen they ignite the frame with the most scintillating of antics. They complement each other immaculately and spice up every story...
I'm talking of luminaries such as Shabana Azmi, Naseeruddin Shah, Saeed Jaffrey, Smita Patil, Kulbhushan Kharbanda, Annu Kapoor, Amrish Puri and Om Puri. In Shyam Benegal's Mandi, they continue the rule; they are too good to be not true...

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