The livewire (Khoobsurat)

What a jolly, buoyant film Khoobsurat is! And, it definitely bears the stamp of Hrishikesh Mukherjee, its director. It's frothy, fun and engaging from the word go. You don't have to think too much. Sit down with your family, or alone, and have a happy watch. There's nothing in this 1980 Filmfare award winner that can disappoint you. Although, one song seems to stretch it a bit but on the whole this is another sheer entertainer from Mukherjee.

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Surprisingly thrilling (Mahal)

I would call this Shankar Mukherjee film a serious washout if not for the gripping last hour. Mahal, like its earlier cousin, turns out to quite a thrilling venture thanks to the taut storyline and the unconventional execution. What appears to be a run-of-the-mill trying-to-be-clever noir mystery, actually unravels as a innovative entertainer. I admit that Dev Anand is past his prime and tries his mannerisms a bit too much, Asha Parekh hardly gets a meaty role, and the character actors are too scattered in their job, but overall I found the film picking up pace towards the end. And trust me, if it would not have been worth it, I wouldn't have been writing this post. For, I wouldn't have spent time completing the film.

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Community feeling (Biradari)

There is a magnanimous old woman, who is forever kind to her poor and helpless tenants. There is a handsome young man who is impressed with her affectionate behaviour when he comes to live in the same chawl. There is a sweet love story that brews between him and the old lady's attractive daughter. There are the simple and funny neighbours who keep the halcyon atmosphere intact. There is the big builder who is scheming to get the building to himself, there are misunderstandings, songs and dances and everything that a chawl film should have. Yet, Biradari comes across as pretty unconventional.

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Powerful Pawar (Memdidi)

Memdidi, directed by the master of simple yet sweet tales, is a unique enterprise. It has no conventional leads, it stars Keysi Mehra whose name provides absolutely nothing on search pages and it is pulled off by people who have made a name for themselves playing character roles. But here, they become the heroes, they make you laugh, cry and sing along with them, they warm your hearts with their goodness and they tell you that blood ties are not necessary to forge long time bonds. Sometimes people who are not even remotely related turn out to be so close to one another that they can go to great lengths to keep each other happy...

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Victims of circumstance (Anhonee)

I've always had immense faith in the pairing of Raj Kapoor and Nargis. Be it their high strung passion depicted in Awaara, their innocent love story in Shree 420, their likable romance in Aah or their adventurous affair in Chori Chori. In every single one of these cinematic delights, these two awesome actors have delivered. But, here is one film that took me absolutely by surprise. An obscure film, Anhonee is fantastic not just for its intriguing story and taut execution but also for the very different personalities that the two actors have in the film. Rajkumar Saxena is so pragmatic yet passionate, Roop is an honest and loving woman and Mohini is a crafty and impulsive revenge seeker. Three believable characters who make this 1952 film a captivating affair. After watching this griping drama, I can safely say that I've seen a good film after a long, long time...

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Destination music (Manzil)

I have hardly seen Dev Anand play such a brooding character. Generally this suave and dapper young man entertains with his light frolicky persona. But his Rajkumar Mehta is different. Defiant and determined to the core, Anand, in Mandi Burman's Manzil, is most of the time inebriated and weeping over his unfaithful beloved. But, this 1960 romance's lead pair piqued my curiosity. Nutan and Dev Anand make a handsome couple and the way the film starts, you will be keen to follow this Raju as he scales the heights of success.

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Chupke Chupke vs Chhadmabeshi

Game for some fun? Watch Agradoot's 1971 comic caper, Chhadmabeshi. But, don't stop at that. Move on to Chupke Chupke, Hrishikesh Mukherjee's inspired version of Chhadmabeshi. And, see the fun multiplying. A carbon copy of its Bengali predecessor, this 1975 comedy is a bomb. It explodes to hit you with action, entertainment and gags. And then, you suddenly realise how the Bengali version, though is enjoyable and has Uttam Kumar, the be-all-and-end-all of Bengali cinema, lacks punch and speed.

To the Bengali original then. Abanish Sen (Uttam Kumar), a professor of Botany, plays a practical prank on his brother-in-law, Barrister Prasanta Ghosh (Bikash Ray), who stays in Allahabad.

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Just a few words (Baton Baton Mein)

What is it with men and marriage? Why are they so scared of tying the knot? They are so ecstatic romancing the pretty damsel, but when it comes to settling down with her, they would love to be far far away... Well, in most cases that is...

Tony Braganza faces the same dilemma. And, to make matters worse, he is being prodded by Rosie Perreira, an overtly anxious widow, who wants to see her daughter happily settled in life. He loves Nancy Perreira all right, but having the overbearing motormouth Rosie, as a mother-in-law, is daunting for sure. So, Tony keeps procrastinating...

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Breaking free (Anupama)

Hrishikesh Mukherjee's Anupama has a choking effect on me. But, I enjoy that. I shed happy tears and bask in the warmth of the lovable characters. I clap when Uma breaks the shackles of her guilt and emerges a stronger and emancipated individual. I smile when Mohan redeems himself by liberating his wronged daughter. My heart brims with joy when I witness the goodness in Anita, in Moses, in Ashok and his mother, in Arun and in Gauri. Anupama, made in 1966, strengthens my faith in good wholesome cinema that looks simple but has hidden in its layers a multitude of emotions. Most importantly, it establishes my belief in Mukherjee's films. Subtle, simple yet so strong...
Mohan marries Aruna late in life. Understandably, he is head-over-heels in love with this lovely woman.

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It's a wonderful life (Khatta Meetha)

Priyadarshan is making a film called Khatta Meetha. Wonder whether it will be able to recreate the fun and warmth of the original Khatta Meetha, Basu Chatterjee's comedy about a bunch of Parsis living in Mumbai.
Well, not really a comedy. This 1978 classic is a slice of life. Peppered with a melange of emotions, this family drama is a complete joyride. You laugh with the characters, sing with them, dance with them and cry with them. Such is the strength of this sweet saga...
At the outset we are introduced to three Parsi families.

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