Needs some re-casting (Holi Ayee Re)

Harsukh Jagneshwar Bhatt must have been seriously cashstrapped. Or else, why would he squander away a reasonable good script by casting some absolutely unknown faces in his Holi Ayee Re. The best he can manage are some famous character actors who salvage the film from the brink of disaster. But I feel, this 1970 romance-cum-family drama would have done fairly well if we would have had a better and a more formidable cast. Here's how...

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Peetering out (Shaadi ke Baad)

Generally I'm quite predisposed towards any film from the L V Prasad stable, but something about Shaadi ke Baad kept nibbling at me after a point of time. The cast was good, the story was fun, the performances were just and the songs were in place. But something, which I'm yet to pin-point correctly, left me quite dissatisfied. Was it the rambling turn of events after intermission, the lack of concretised drama or simply the lack-lustre script? Also, what left me pondering was why the director would waste a fine artist like Shatrughan Sinha by casting him as an aging landlord who's lost all his fortunes but is too proud to give up his royal behaviour? This actor, who's capable of turning a drab script into a enticing one, is given just about a few scenes which does him no justice.

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Love, after all the trouble (Blackmail)

It's quite funny that one song from Vijay Anand's Blackmail is celebrated as being one of the most erotic melodies of those times. Given the situation that the song is played in, and the circumstances the leads find themselves in, on any given day, one might be more than ready to sight it as signage of consummation. But then, for me, this song is certainly not one that will melt me into a puddle. I'd rather just call it a breaking of barriers between the protagonists, who till now, failed to unify, owing to the battery of misunderstandings concocted by the devious villain. In this song, the man and the woman realise that all shackles of bitterness are broken and if the circumstances so grant, they would be able to lead a blissful life together now. Well, for me, Mile do badan, is just about that.

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Toying with melodrama (Khilona)

There are times when I'm game for a film where I wouldn't have to put in much thought and reasoning. I'd only have to go with the flow of the story, the ups, downs, drama, melodrama, songs, sequences and inanities. These are the times when I am lazy, tired or rather bored. These are times when one can surely watch the film Khilona. Yes, I did too. There's nothing much to say about the film except that Mumtaz looked lovely and Sanjeev Kumar was so different from his other celebral roles. But somehow, I cannot say that I did not like Khilona. There is something very dramatic about this movie that sat well with me!

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Watch just for the fun (Naram Garam)

Sometimes I wonder whether Utpal Dutt got pigeonholed into playing the same kind of character when he signed a Hrishikesh Mukherjee film. Look at his roles in Golmaal, Naram Garam and Kissi Se Na Kehna. You'll find that his persona borders on the same lines. He is loud and prone to committing verbal faux pas at the drop of a hat, is always suspecting people for tiny little things, is acting in the most hilarious manner and is being painfully funny without even realising it. He is lovable, silly yet so endearing. And he even looks the same. So what can be the rationale behind watching these films over and over again, when you get to see the same old Utpal Dutt in all the three films.

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