Why should we mourn the demise of Shamsher Raj Kapoor, or very lovingly our Shammi Kapoor? Is he really dead? Gone? Never to be seen, heard or felt again? Is it true that his thundering 'yahoo' will cease to reverberate? NO.
Showing posts with label Professor. Show all posts
Showing posts with label Professor. Show all posts
Sunday, 14 August 2011
Sunday, 4 July 2010
Royal mess (Prince)
Disappointing would be an understatement. Actually, Lekh Tandon's Prince is plain bad. A rambling saga that dwells on a spoilt prince and his road to redemption, meanders to and fro
through inane turns, delivering stupid results. While the makers gave us a rollicking Professor in 1962, seven years later they hardly could repeat the magic. At least, not for me!!!
Pardon me, but the only good things I've found in the film are Rafi's Badan pe sitaare (it's a
sureshot dance number) and

Pardon me, but the only good things I've found in the film are Rafi's Badan pe sitaare (it's a

Labels:
Helen,
Kohinoor,
Mohd Rafi,
Musical,
Prince,
Professor,
Rajkumar,
Shammi Kapoor,
shankar jaikishan,
Vyajayanthimala,
Yahudi
Monday, 28 June 2010
Dull dupe (Bluff Master)
1963 seemed to be a lull year for the flamboyant Shammi Kapoor. Why els
e would we have films like Pyar Kiya to Darna Kya, Jabse Tumhe Dekha Hain, Shahid Bhagat Singh and Bluff Master? The first three I'm yet to watch. But, if they are as entertaining as Bluff Master, I'm better off without seeing them!!!
Manmohan Desai's tale about a clever (but not hardworking enough) young man loses steam somewhere in the middle of the script. True, Shammi Kapoor looks good, has a way with words and carries a confident personality on his broad shoulders, but after some time his actions look forced and lack conviction. Just like the way his character is devoid of development in B R Panthulu's Dil Tera Diwana. This upsets me.

Manmohan Desai's tale about a clever (but not hardworking enough) young man loses steam somewhere in the middle of the script. True, Shammi Kapoor looks good, has a way with words and carries a confident personality on his broad shoulders, but after some time his actions look forced and lack conviction. Just like the way his character is devoid of development in B R Panthulu's Dil Tera Diwana. This upsets me.
Wednesday, 16 June 2010
Age no bar (Professor)
It's a close match. Suave and sexy Preetam is pitted against wobbly but clever Prof
Khanna. The wages are high, the competition is tight...
Preetam has to quickly find a job to send his ageing mother to a sanatorium. For that, he has to hoodwink a dictatorial woman and glib his way to her house posing as an old professor. He then has to learn the ABC of Sanskrit to teach two giggly young girls and handle the tantrums of two small boys.
All this, as the old Prof Khanna! Yes, young Preetam, struggling to get a job, charades as an ageing bachelor and enters the household of the martinet Sita Verma, and in the process, sets off a series of hilarious incidents. Rankled initially by the strict regulations set by his employer, Prof Khanna unconsciously breaks all those rules and even manages to make Sita Verma fall in love with him!
So, who wins?

Preetam has to quickly find a job to send his ageing mother to a sanatorium. For that, he has to hoodwink a dictatorial woman and glib his way to her house posing as an old professor. He then has to learn the ABC of Sanskrit to teach two giggly young girls and handle the tantrums of two small boys.
All this, as the old Prof Khanna! Yes, young Preetam, struggling to get a job, charades as an ageing bachelor and enters the household of the martinet Sita Verma, and in the process, sets off a series of hilarious incidents. Rankled initially by the strict regulations set by his employer, Prof Khanna unconsciously breaks all those rules and even manages to make Sita Verma fall in love with him!
So, who wins?
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