Introducing an anti-hero (Kala Bazar)

Can we call Dev Anand one of the first anti-heroes in the history of Hindi cinema? For, there are roughly three major films where he handles his grey tones with panache. I'm talking of Guide (1965), Asli Naqli (1962) and Kala Bazar (1960). In all these films Anand's character starts off negatively. But after a certain cathartic moment, he emerges from the flames that help to purify him. In Asli Naqli, his metamorphosis happens when he sees that true love actually resides in poor homes because that emotion needn't be validated by money. In Guide, a personal trauma shakes him up and he atones for his sin by helping villagers. And, in Kala Bazar, the change comes through because of his love for a beautiful girl.

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Terrific tramp (Awara)

The first thing that strikes me when Awara opens is how shockingly handsome Prithviraj Kapoor is. Pushing 45, this heavily built man almost reminds me of a Greek God. Playing the obstinate Justice Raghunath, Prithviraj shows why the Kapoors could mesmerise the audience with panache. Every expression is spot on, his booming baritone modulates impeccably, his eyes belie happiness, pain, sorrow and scare with utmost ease and his personality is too overwhelming to avoid. Thank heavens he passed on those brilliant genes to his sons...

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Due credit (C.I.D)

Dharam Dev Pishorimal Anand writes his heart out in Romancing with Life, his autobiography. He traces his roots to Gurdaspur and recalls his struggles as a strapping but thin 25-year-old jobhunting in busy Bombay. He dots the narrative with multihued incidents from his film career and personal life that made him DEV ANAND, the star. While doing so, he credits Vijay Anand's Baazi for making him a household name.

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