I had never thought that I'd like Rajendra Kumar. I had also not thought that a somewhat restricted Muslim society would throw up any likeable qualities about it before me. I had also not thought that despite the director squandering away the chance of using a super villain like Pran, I will forgive him. But I guess, there is always a first time. Here is a film that made me experience many firsts.
Showing posts with label Shakeel Badayuni. Show all posts
Showing posts with label Shakeel Badayuni. Show all posts
Saturday, 7 May 2011
Saturday, 25 December 2010
Not an ideal husband (Chaudhvin ka Chand)
And I hear that this M Sadiq triangular love story was such a roaring success that it pulled Guru Dutt out of the slumps after his Kaagaz ke Phool failed to click. For, apart from some snatches there is hardly anything convincing about Chaudhvin ka Chand, set in 1960's Lucknow. Yes, the songs are marvellous and the lead cast is brilliant. But the severely flawed character of Aslam really broke my heart. Or should I say, tried my patience...
Wednesday, 3 November 2010
Quaint quadrangle (Benazir)
The high point of Bimal Roy's Benazir is Husn ki beharein liye. Not only is this a brilliant ghazal from S D Burman, rendered with haunting precision by Lata Mangeshkar, Shakeel Badayuni's lyrics also point out the poignancy of Benazir's state. Here is a woman, seen as a fallen one by society, torn between her love for a young man and her gratitude for the favours she has been receiving from his elder brother. As much as Benazir would love to declare her affection for Anwar, she is forced to stay mum because she is bound by her promises to the Nawab. And of course, her innocent love would be regarded as crafty lust by the world.
Monday, 6 September 2010
A musical revenge (Baiju Bawra)
A Baiju Bawra search on Wikipedia reveals that the classical maestro perished of typhoid at the ripe age of 71. Given this (though there's no historical proof to ascertain this claim) information, the climax of Vijay Bhatt's 1952 film is far from satisfactory. The rationale behind bumping off both Baiju and his sweetheart Gauri, is something that I'm yet to decipher. Even after he is victorious in his vocal duel with Tansen and reaching his village at the nick of time to marry Gauri, the film shows both the lovers drowning in the Yamuna. Sad, but very surprising!
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