Packing a punch (Shikar)

I'm a happy soul today. I've just watched a film that brought under one roof two good-looking men, three fetching ladies, a thrilling murder plot, plenty of feet-tapping songs, awesome action, rib-tickling comedy, superb dialogues and... Well, if you ask me, the list is endless! Yes, Shikar, directed by Atma Ram is one scintillating entertainer. It grips you from the word go, and rivets you to your seat till the very end. A solid romance does not slacken the pace of the mystery, the hero is as dashing as the heroine is glamourous. Just about everything in this 1968 film is perfect. So much so, that a friend of mine have been discussing the clothes and probable marriage of the investigating officer and one of the suspects in great detail. Yes, the effects of Shikar have been profound!

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Toying with melodrama (Khilona)

There are times when I'm game for a film where I wouldn't have to put in much thought and reasoning. I'd only have to go with the flow of the story, the ups, downs, drama, melodrama, songs, sequences and inanities. These are the times when I am lazy, tired or rather bored. These are times when one can surely watch the film Khilona. Yes, I did too. There's nothing much to say about the film except that Mumtaz looked lovely and Sanjeev Kumar was so different from his other celebral roles. But somehow, I cannot say that I did not like Khilona. There is something very dramatic about this movie that sat well with me!

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What's stopping the two? (Saraswatichandra)

It's very difficult for me to accept an ending that looks absolutely redundant. I end up feeling why couldn't the director be more brave and experimentative. Why couldn't he marry off a widow to her true sweetheart? Why does he have to depict her accepting her sad fate and the decisions of a taboo-ridden society? And, why on earth does he have to make the lead character procrastinate so much??? Questions, questions, questions...

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