Romance and entertainment (Lukochoori)

This is prime time entertainment. Twin brothers who are very much aware of each others' existence, sisters who fall in love with each of them, parents who are loving and indulgent yet stern, comedy that is absolutely situational, songs that hark back to the time when Bengali music ruled the roost and performances that are so easy on the senses. Set in Bombay of yore, Lukochoori is one film that pits a comic Kishore Kumar against a restrained one, each one having enough screen time and opportunity to show off his colour and ability, thereby confirming the fact that if and when Kumar wanted he could deliver a fine performance.

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Almost nothing to like (Sharada)

Those of you who have seen Sharada and have liked the L V Prasad flick, please pardon this blogger. I too, like all you old film buffs wanted to see this Meena Kumari and Raj Kapoor enterprise for a long, long time. I had imagined that it is going to be one good drama with plenty of twists, turns, histrionics and punchy dialogues. But lo! What I got in return was an utterly contorted, soppy, vague and inane film that should not have been in the first place itself. This is not the way you project a self-sacrificing and great woman. The emotions are forced, the actions are unrealistic and a great team of actors totally wasted. There, I've said it. I've said bad things about a much celebrated 1957 film and I'm ready to accept the brickbats for it. But then, I have reasons for doing so.

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Tragic romance (Goonj Uthi Shehnai)

My brother believes that a tragic ending makes a romantic film even more memorable. And, if not sad, an expectant one, where the lovers' union is far from achieved. He is of the view that when the denouement is not rosy, it tends to haunt you. Call it poignance or what, I can sense the same when the end credits roll in Vijay Bhatt's Goonj Uthi Shehnai. When circumstances and society tear Kishan away from his sweetheart Gopi, you kind of feel a hollow in your heart. The pain increases when the two lovers meet their end far away from each other, only with the hope that in death will their union be possible. The love that stung the eyes of society shall be consummated in the jaws of death. Perhaps, that is why this Rajendra Kumar-Ameeta romantic tradegy continues to be so memorable...

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