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Showing posts with label Kashmir. Show all posts
Showing posts with label Kashmir. Show all posts

Monday, 9 October 2017

Bemisal (1982)

I was trekking to Gurgaon the other day from Noida, where I live. For the uninitiated, let me tell you,
that's like crossing two states!
The distance is a crawl, and a sapping one at that. Daily commuters from Noida to Gurgaon will relate to the grief I go through during such occasion arises. But, thank heavens for FM radio, which makes the journey a wee bit pleasant.
The moment I got into the car Lata Mangeshkar's Aeri pawan dhunde kise tera mann transformed me into a reverie. It's such a beautiful song. After enjoying the rendition, I quickly googled the song, traced the film and after reading the gist was piqued to watch it. All I can say is that I did not live to regret the decision.
Hrishikesh Mukherjee's Bemisal (1982) is an engaging drama of human relations bordering on greed and benevolence. But what I loved most was the character sketched for Amitabh Bachchan. While from afar he appears an affable, happy-go-lucky doctor, his personality is far more intriguing and charismatic than the others in the film. And it is laced with a deep sense of magnanimity influenced by the benevolence he was gifted with when times were far from favourable. His regard for those who helped him out never diminishes and his sense of duty is unparalleled. The crests and troughs of his journey is worth graphing. Dr Sudhir Roy's actions make the film so believable. Despite the tardy subplot of Ruby Dutt.
Dr Sudhir Roy, a child specialist, and Dr Prashant Chaturvedi (Vinod Mehra), a gynecologist, have been brought up by an advocate. Sudhir never ignores the fact that the rich advocate saved him from a deplorable life by adopting him and giving him a steady upbringing and education. For that he remains forever indebted. Hence, when it comes to abdicating the woman who he is attracted to for the sake of his foster brother, he doesn't waste a moment before making the sacrifice. Even though he can gauge that Kavita (Rakhee) might be more keen to marry him, he owns up his murky past to dissuade her. But more importantly he implores her to marry Prashant because that would make him happy.

Sunday, 17 September 2017

Kabhi Kabhie (1976)

I'm mentally prepared to be trolled, derided and umm... maybe ostracized even. But I need to say what I need to say. Kabhi Kabhie is Yash Chopra's most overrated film ever. Period. 
Brickbats... bring it on...

The other morning I got into an interesting conversation with a
neighbour. After the sundry exchanges about child tantrums, daily chores and the usual agonies of life in Modi's India, I quickly asked her whether she loves romances of the Yash Chopra kind. She started with a gushing take on Dilwale Dulhania Le Jayenge and how it was her go-to film even a few years back. On correcting that the film was actually not Yash but his son's Aditya's directorial debut and perhaps his only watchable film, she revealed that it might not be as appealing today as it was earlier. Why? Because, as she put it, "Times were different then. We were different. I cannot relate to it anymore." This was my chance, my ticket to launch a tirade against a film over which I wasted three hours the previous night. Now why I did not abandon it midway? You see. I don't give up that easily. I'm a movie freak. 

Thursday, 27 May 2010

Harmony from the heart (Ek Musafir Ek Hasina)

Bahut shukriya bari meherbani, meri zindagi mein huzoor aap aaye...
Seriously, what would I have done without OP Nayyar and his universe of melody? His compositions play with my senses, they rock my world and they sooth my nerves! And, when you have nine fantastic numbers played at close intervals, you are in for a jolly good musical treat. Here's introducing Raj Khosla's Ek Musafir Ek Hasina, a film that is a curtain raiser to this talented director's later thrillers.
Truely speaking (strictly my thought), this 1962 Sadhana-Joy Mukherjee starrer would be an absolute washout if not for Nayyar's work. Embellished with nine wonderful songs, the maestro shows us that his music is not just about hoof-beats. Romance, in all avatars, shine forth in the film's songs.
Okay, a bit about the film.

Monday, 12 April 2010

Paradise lost (Kashmir ki Kali)

Kashmir beckons! The land of undulating valleys, salubrious climes, azure canopies and multi-hued flora gets a sheer magical persona in Kashmir Ki Kali, Shakti Samanta's 1964 saga of love in earth's paradise. Whatever, happened to the place...
The landscape's beauty is heigthened by the charming lead...Pristine Sharmila Tagore makes a promising debut in this musical romance. No one bothers about her act though. Champa's (Tagore) deep dimples are enough to take your breath away. She is truely a Kashmir ki kali (a flower in Kashmir).

Monday, 29 March 2010

Music, the food of love (Phir Wohi Dil Laya Hoon)

What made Nassir Hussain's pictures a box-office sellout? I say, fetching women, fabulous music, picturesque locales, smart heroes and a roughly tolerable plot. You get ample of that in the 1963 romance Phir Wohi dil Laya Hoon. The director etches a credible love story with plenty of song and dance, a menacing villian and fun situations in lovely Kashmir. Yes, you get to see the heavenly place before it got ripped apart!!!